
The articulations have all been selected and recorded to add unprecedented oomph to your existing orchestral template. For all crescendos and swells in there, Adaptive Sync is ready to assist. Symphobia 4: Pandora offers a vast selection of big & bold, playable ensemble articulations, ranging from cellos and basses to a massive 30-player low-range Tutti Orchestra. If you change your track's tempo, Adaptive Sync will adjust accordingly. If you move a note backwards or forward, the engine will automatically switch to a better matching recording if needed. Similarly, you can very quickly time a crescendo or roll with the next downbeat*. Tapping from a vast pool, Adaptive Sync automatically picks the best matching recording from its database and intelligently adjusts it to match your hit point EXACTLY. With Adaptive Sync, you can simply set the number of beats or seconds you need the crescendo, roll or riser to be. These samples all have one thing in common: a distinct, musical ending or climax. Symphobia 4: Pandora is packed with transitional samples – sounds that progress dynamically or directionally over time – ranging from powerful brass crescendos to dissonant string risers. This is why Project SAM developed Adaptive Sync. It’s a tedious task that most of us would rather skip if we could. Any composer will recognize the trial-and-error process of nudging a crescendo note around until it ends in the right spot. But they used to have a disadvantage: they were not very flexible. Pre-recorded crescendos and rolls sound great.

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